The Multiple Faces of Cultural Heritage: Towards an Integrated Visualization Platform for Tangible and Intangible Cultural Assets

Authors. Eva Mayr, Florian Windhager, Johannes Liem, Samuel Beck, Steffen Koch, Jakob Kusnic

Venue. VIS4DH (2022) Workshop Paper

Type. Workshop Paper

Materials. DOI IEEE PDF

Abstract. Linking and visualizing multiple types of entities in a DH knowledge graph generates the need to deal with multiple types of data and media modalities both on the designer and the user side. The InTaVia project develops synoptic visual representations for a multimodal historical knowledge graph which draws together transnational data about cultural objects and historical actors. In this paper we reflect on the question how to integrate and mediate the informational and visual affordances of both kinds of cultural data with hybrid designs and show how a user-centered design process can help to ground the required selections and design choices in an empirical procedure.

@inproceedings{mayr2022multiple,
    title        = {The Multiple Faces of Cultural Heritage: Towards an Integrated Visualization Platform for Tangible and Intangible Cultural Assets},
    author       = {Mayr, Eva and Windhager, Florian and Liem, Johannes and Beck, Samuel and Koch, Steffen and Kusnick, Jakob and J\"{a}nicke, Stefan},
    year         = {2022},
    month        = {10},
    booktitle    = {2022 IEEE 7th Workshop on Visualization for the Digital Humanities (VIS4DH)},
    pages        = {13--18},
    doi          = {10.1109/VIS4DH57440.2022.00008},
    abstract     = {Linking and visualizing multiple types of entities in a DH knowledge graph generates the need to deal with multiple types of data and media modalities both on the designer and the user side. The InTaVia project develops synoptic visual representations for a multimodal historical knowledge graph which draws together transnational data about cultural objects and historical actors. In this paper we reflect on the question how to integrate and mediate the informational and visual affordances of both kinds of cultural data with hybrid designs and show how a user-centered design process can help to ground the required selections and design choices in an empirical procedure.}
}